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Abdelkader Chaou

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Abdelkader Chaou est un chanteur algérien, interprète de chaâbi. Il est né le 10 novembre 1941 à Soustara (Ain Mahchacha)

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, dans la Casbah d’Alger, au sein d’une famille Kabyle originaire de Tigzirt, dans la région de Tizi Ouzou.

Abdelkader Chaou a étudié au conservatoire d’Alger, dirigé à l’époque par Hadj Mohamed El Anka. Virtuose au mandole, il modernise le chaâbi, introduit des instruments tels que le mandole, tout en remodelant le style en le rendant plus vif et attrayant.

Grâce à l’école Mahboub Bati, Abdelkader Chaou obtient un fulgurant succès dans les années 1970.

Son répertoire musical passe de la mélodie triste à la mélodie gaie, emprunté à la musique arabo-andalouse.

Abdelkader Chaou vit en Algérie dans la commune de bouzareah quartier appellé (deux pilliers) où il continue à se produire.

Phoenix Rising (band)

Phoenix Rising (formerly known as Phoenix Rising / Fire & Ashes and, originally, as Quinta Enmienda) is a symphonic power metal band from Alcorcón, Madrid, Spain. Their music is strongly influenced by bands like Stratovarius, Rhapsody of Fire, Galneryus, and Sonata Arctica.

The band was established in 2007 as “Quinta Enmienda”, and they released an album, Ne Bis in Idem, with that name in 2010. However, in 2012, after signing a record deal for three albums with the German label Sonic Attack, they switched their name to “Phoenix Rising”.

The band was established in early 2007 as Quinta Enmienda. In 2008, Quinta Enmienda recorded its very first demo as a result of winning the competition “¿Y tu qué tocas?” and the band started to play live, gaining a good reputation in the local scene.

In September 2009, Quinta Enmienda was chosen to join Saratoga, Muro and Medina Azahara at the stage for the “Javier Gálvez’s Tribute Show”. In that show the band play live for over 5,000 metal-heads. Their convincing performance received the attention of well-known Spanish metal producer Fernando Asensi (Dragonfly, Opera Magna, Delirion). As a result, a lasting relationship was established, and the band went into the studio in February 2010 under his supervision to produce their debut album Ne Bis in Idem. The album was released on 25 May, and marvelous critics don’t last to show up. Yet shortly after the album is released, the only line-up change took place so far with Jesús M sock tape football. Toribio replacing the former keyboard player

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. In support of their debut the band performed numerous shows in central Spain small thermos flask, among them three festival highlights: Getafe Sonisphere in 2010 and Power Alive Fest and Granito Rock in front of over 6,000 fans.

During the first quarter of 2011 Quinta Enmienda began to write songs for their new album, and the high quality of the band’s demo recordings convinced Karl Walterbach (ex Noise Records boss and head of Sonic Attack) to get in touch. After intense discussions the band finally decided to switch to an international compatible name with “Phoenix Rising / Fire & Ashes” and to record the new songs in two languages: a Spanish version for the band’s domestic market and an English version for the international markets. However the limited edition of the initial release contained both versions in a double CD for the price of one. The result was the concept album MMXII which was released worldwide on March 23, 2012.

In April 2012 Phoenix Rising announced through their website that the band had reached an agreement with the prestigious Japanese label Hydrant Music (3 Inches of Blood, Firewind, Llullacry, To/Die/For) in order to edit their last album MMXII in Japan. The album was to be released in August and it would contain exclusive bonus tracks for the Japanese market.

Currently[when?] the band is touring to present live their latest work and working on their new album

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, Versus, which they hope to release by the beginning of 2014.

Formazione della Terra

Voce principale: Terra.

La Terra si è formata circa(?) 4,58 miliardi di anni fa dalla nebulosa solare

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All’inizio c’era un disco di polveri e gas in rotazione, ma dopo la formazione del Sole il materiale in eccesso cominciò ad aggrupparsi in diverse zone, formando i pianeti oggi conosciuti. Da prima il materiale si unì in corpi di qualche chilometro, che cominciarono ad urtarsi, come palle da biliardo, a collidere, ad unirsi e a fondersi in altri corpi sempre più massicci e a formare i protopianeti.

Inizialmente la massa della neo Terra era un agglomerato di roccia, metalli, gas ed elementi radioattivi in uno stato di fusione. Cominciarono a separarsi i materiali più pesanti che si concentrarono verso il centro, e quando l’acqua si accumulò raffreddò la parte esterna del futuro pianeta formando così una crosta. Non è dato sapere se l’acqua si sia formata per reazione tra idrogeno e ossigeno o sia giunta dallo spazio come tale.

L’attività vulcanica produsse l’atmosfera primordiale; il vapore acqueo condensato e incrementato dal ghiaccio trasportato dalle comete formò gli oceani

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Si ipotizza che 4 miliardi di anni fa la prima molecola si duplicò gettando le basi necessarie alla nascita del primo antenato comune a tutta la vita.

La fotosintesi ha permesso che le forme di vita accumulassero direttamente l’energia dal Sole; l’ossigeno che ne derivò creò lo strato di ozono

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, che è una forma di ossigeno molecolare O3 e si posizionò nell’alta atmosfera.

L’incorporazione di piccole cellule da parte di quelle più grandi provocò lo sviluppo di cellule complesse dette eucarioti

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; così la vita aiutata dall’ozono che assorbiva i nocivi raggi ultravioletti cominciò a colonizzare il pianeta.

Dopo il Cambriano (490 milioni d’anni fa) ci furono cinque estinzioni di massa, l’ultima accadde quando scomparvero i dinosauri a causa dello scontro di un meteorite, che però ha contribuito all’affermazione dei mammiferi.

Altri progetti

Seattle International Film Festival

The Seattle International Film Festival (SIFF), held annually in Seattle, Washington since 1976, is among the top film festivals in North America. Audiences have grown steadily; the 2006 festival had 160,000 attendees. The SIFF runs for more than three weeks (24 days), in May/June, and features a diverse assortment of predominantly independent and foreign films, and a strong contingent of documentaries.

SIFF 2006 included more than 300 films and was the first SIFF to include a venue in neighboring Bellevue, Washington, after an ill-fated early attempt. However

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, in 2008, the festival was back to being entirely in Seattle, and had a slight decrease in the number of feature films. The 2010 festival featured over 400 films, shown primarily in downtown Seattle and its nearby neighborhoods, and in Renton, Kirkland, and Juanita Beach Park.

The festival began in 1976 at a then-independent cinema, the Moore Egyptian Theater. The first five festivals were held at The Moore Egyptian, now back under its earlier name the Moore Theater and functioning as a concert venue. When founders Dan Ireland and Darryl Macdonald of the Moore Egyptian lost their lease, they founded the Egyptian theater in a former Masonic Temple on Seattle’s Capitol Hill. The Egyptian theater remains a prime festival venue to this day, although the festival now typically uses about half a dozen cinemas (including, since 2007, its own SIFF Cinema at Seattle Center), with the exact roster varying from year to year.

During the 1980s, SIFF audiences developed a reputation for appreciating films that did not fit standard industry niches, such as Richard Rush’s multi-layered The Stunt Man (1980).[citation needed] SIFF was instrumental in the entry of Dutch films into the United States market, including the first major American debut for director Paul Verhoeven.

The festival includes a component that is unique among major film festivals: a four-film “Secret Festival”. Those who attend the Secret Festival do not know in advance what they will see, and they must sign an oath that they will not reveal afterwards what they have seen.

In general, SIFF has a reputation as an “audience festival” rather than an “industry festival”. The festival often partially overlaps the Cannes Film Festival, which can reduce attendance by industry bigwigs; in 2007 there were two days of overlap, May 24 and 25.

The SIFF group also curates the Global Lens film series, the Screenwriters Salon, and Futurewave (K-12 programming and youth outreach), coordinates SIFF-A-Go-Go travel programs (organized tours to other film festivals), and co-curates the 1 Reel Film Feastival at Bumbershoot and the Sci-Fi Shorts Film Festival at the Science Fiction Museum and Hall of Fame.

In 2006, Longhouse Media launched the SuperFly Filmmaking Experience, in partnership with the Seattle International Film Festival, which brings youth together from diverse backgrounds to work collaboratively on film projects that promote awareness of indigenous issues and mutual understanding of each other’s cultures. Fifty youth from across the United States arrive in Seattle to then travel to a local Pacific Northwest reservation to create 4 films in 36 hours.

November 28, 2006, SIFF and Seattle mayor Greg Nickels announced that SIFF would soon have a home and a year-round screening facility in what has been the Nesholm Family Lecture Hall of McCaw Hall, the same building at Seattle Center that houses the Seattle Opera. The city contributed $150,000 to the $350,000 project. This auditorium was a “flagship venue” for SIFF festivals and the site of most press screenings.

Shortly after the 2011 festival, SIFF moved its operations to the SIFF Film Center on the Seattle Center campus. The Film Center includes a 90-seat multi-use theater, multi-media classroom, exhibition spaces

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, archives, and offices for SIFF and the Film School. In October 2011, SIFF Cinema moved from McCaw Hall to its current location in the Uptown Theater. SIFF utilizes all three of the Uptown’s three screens for year round programming. SIFF currently has year round programming for four screens in Seattle.

In May 2014 it was announced that SIFF had purchased the Uptown Theater, and would be leasing and renovating the Egyptian Theater (abandoned roughly a year earlier by Landmark Theatres) from Seattle Central College.

Since 1985, the Seattle International Film Festival has awarded the Golden Space Needle award each year to the festival’s most popular movie. Ballots are cast by audience members at the end of each movie. Previous winners of the Golden Space Needle include Whale Rider for 2003, Trainspotting for 1996, Kiss of the Spider Woman for 1985 and Boyhood for 2015, the latter two being the only films to be nominated for the Academy Award for Best Picture and win the Golden Space Needle.

Among the films that have received North American or world premieres at SIFF are:

Liam (dir. Stephen Frears, UK)
Tortilla Soup (dir. Maria Ripoll, USA)
Ghost World (dir. Terry Zwigoff, USA)

Caeser (dir. Uli Edel, USA)
PTU (dir. Johnnie To, Hong Kong)
Together (2002 film) (dir. Chen Kaige, South Korea)
Whale Rider (dir. Niki Caro, New Zealand)

Donnie Darko: The Director’s Cut (dir

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. Richard Kelly, USA)
Before Sunset (dir. Richard Linklater, USA)
Criminal (dir. Gregory Jacobs, USA)

Red Dust (dir. Tom Hooper

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, UK)
Bombón, el Perro (dir. Carlos Sorín, Argentina)
Côte d’Azur (dir. Olivier Ducastel and Jacques Martineau, France)

Perhaps Love (dir. Peter Ho-Sun Chan, Hong Kong)
A Prairie Home Companion (dir. Robert Altman, USA)
Strangers with Candy (dir. Paul Dinello, USA)

A Battle of Wits, (dir. Jacob Cheung, Hong Kong)
The Boss of It All, (dir. Lars von Trier, Denmark)
Evening, (dir. Lajos Koltai, USA)

Allen Jenkins

Allen Jenkins (April 9, 1900 – July 20, 1974) was an American character actor and singer who worked on stage, film and television.

Jenkins was born Alfred McGonegal on Staten Island, New York on April 9, 1900

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. He studied at the American Academy of Dramatic Arts. In his first stage appearance, he danced next to James Cagney in a chorus line for an off-Broadway musical called Pitter-Patter, earning five dollars a week. He also appeared in Broadway plays between 1923 and 1962, including The Front Page (1928). His big break came when he replaced Spencer Tracy for three weeks in the Broadway play The Last Mile.[citation needed]

Jenkins was called to Hollywood by Darryl F. Zanuck and signed first to Paramount Pictures and shortly afterward to Warner Bros. His first role in films came in 1931, when he appeared as an ex-convict in the short Straight and Narrow. He had originated the character of Frankie Wells in the Broadway production of Blessed Event and reprised the role in its film adaptation

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, both in 1932. With the advent of talking pictures

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, he made a career out of playing comic henchmen, stooges, policemen, taxi drivers and other ‘tough guys’ in numerous films of the 1930s and 1940s, especially for Warner Bros. Allen Jenkins was labeled the “greatest scene-stealer of the 1930s” by The New York Times

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.[citation needed] In 1959, Jenkins played the role of elevator operator Harry in the comedy Pillow Talk.

Jenkins later voiced the character of Officer Charlie Dibble on the Hanna-Barbera TV cartoon, Top Cat (1961–62). He was a regular on the television sitcom Hey, Jeannie! (1956–57), starring Jeannie Carson and often portrayed Muggsy on the 1950s-1970s CBS series The Red Skelton Show. He was also a guest star on many other television programs, such as The Man from U.N.C.L.E., Mr. & Mrs. North, I Love Lucy, Playhouse 90, The Ernie Kovacs Show, Zane Grey Theater, and Your Show of Shows. He had a cameo appearance in It’s a Mad, Mad, Mad, Mad World (1963). Eleven days before his death, he made his final appearance, at the end of Billy Wilder’s remake of The Front Page (1974); it was released posthumously.

He went public with his alcoholism and was the first actor to speak in the U.S. House of Representatives and the Senate about it. He helped start the first Alcoholics Anonymous programs in California prisons for women.[citation needed]

Jenkins, James Cagney, Pat O’Brien and Frank McHugh were the original members of the so-called “Irish Mafia”. He was the seventh member of the Screen Actors Guild. Jenkins died of lung cancer early on July 20, 1974. He was 74 years old.

Chris Stathopoulos

* Senior club appearances and goals counted for the domestic league only.

Chris Stathopoulos (born December 29, 1977) is a former Canadian soccer player who played in the USL A-League, National Professional Soccer League, and the Canadian Professional Soccer League.

Stathopoulos began his professional career with Montreal Impact in the USL A-League in 1997. During the 1997 season he helped Montreal clinch the Northeast division title, and reach the Division finals where the Long Island Rough Riders defeated them from playoff contention women business casual dresses. He also played with Montreal during the indoor season in the National Professional Soccer League. His best season was during the 1999 indoor season where he recorded 42 goals in 43 matches. He finished as the second highest goalscorer for the club that season handmade bracelets. He had a stint with Milwaukee Wave in 1997, and won the NPSL Championship with the organization. Stathopoulos next stint at the indoor level was in 2000 this time with the Toronto ThunderHawks. During his tenure with Toronto he finished as the club’s second all-time highest goalscorer.

On May 16, 2001 the Montreal Dynamites of the Canadian Professional Soccer League announced the signing of Stathopoulos to a contract. Near the conclusion of the season the organization faced financial difficulties, which resulted in the release of Stathopoulos from his contract after rejecting a pay cut to his salary

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