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Afghanistan at the 2004 Summer Paralympics

Afghanistan participated in the 2004 Summer Paralympics in Athens, Greece. It was reportedly the country’s first “official” appearance at the Paralympic Games, although two cyclists had already competed for Afghanistan in 1996. The delegation consisted of two competitors, Mareena Karim and Qaher Hazrat. A third competitor, runner Sharifa Ahmadi, was registered for the games but did not participate.

Karim was a fourteen-year-old runner who competed in the 100-metre T46 event. Karim’s feet were amputated when she was an infant after they were severely burned

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. She began proper training only two months before the games. In the first round of the 100 metre race, she finished last with a time of 18.85 seconds and did not advance to the next round.

The other team member was twenty-two-year-old cyclist Qaher Hazrat, who lost both legs below the knee after stepping on a land mine in 1996 during the country’s civil war. Hazrat competed in the men’s road race/time trial LC3 event and compression socks football, with 26 points, finished last out of fourteen cyclists.

Karim and Hazrat trained at Kabul’s National Stadium under Sultan Mahmood, who had participated in the 1980 Summer Olympics as a wrestler liter water bottle bpa free.

Kind of Blue

Kind of Blue er et jazzalbum av Miles Davis som ble utgitt 1959.

Etter Somethin’ Else var Kind of Blue det andre albumet som resulterte av samarbeidet mellom Miles Davis og Julian Cannonball Adderley.

Opptakene ble gjort på to dager: 2. mars og 22. april 1959 vinegar as a meat tenderizer. Som vanlig ga Davis de andre bandmedlemmene beskjed svært kort tid før opptakene skulle finne sted. Selv hadde han bare noen få idéer, som besto av akkorder, skalaer og bruddstykker av melodier. Før hvert stykke ble innspilt ga Davis bare noen knappe instruksjoner til musikerne. Bortsett fra «Flamenco Sketches», der to opptak var nødvendig, var han tilfreds med resultatet allerede etter ett opptak buy meat tenderizer.

Albumet blir sett på som ett av de viktigste innenfor jazzen

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. Låten «So What» regnes kanskje som en av tidenes mest kjente jazzlåter. I 2003 kom Kind of Blue på 12

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.-plass i musikkmagasinet Rolling Stones liste over «Tidenes 500 beste album».

Vehmgerichte

Vehmgerichte – także Feme, Veme, Vehm, Vehmegericht, Fehmgericht – samozwańczy sąd funkcjonujący w średniowiecznej Westfalii electric meat tenderiser. Obrady odbywały się często w tajemnicy. Po wykonaniu wyroku śmierci zwłoki skazanego bywały wieszane na drzewie, aby upublicznić fakt i odstraszyć potencjalnych przestępców.

Westfalski Vehmgerichte rozwinął się ze średniowiecznych „wolnych sądów” (niem. Freigerichte) działających na ziemiach, na których zabrakło sądownictwa dziedzicznych książąt plemiennych. W drugiej połowie XIV wieku w wyniku reformy Świętego Cesarstwa Rzymskiego (Złota Bulla Karola IV) wolne sądy zanikły poza Westfalią.

Siedziba Vehmgerichte (niem. Freistuhl) znajdowała się początkowo w Dortmundzie, na placu pomiędzy dwiema lipami, z których jedna była znana jako sądowa lipa. W 1437 roku siedziba została przeniesiona do Arnsbergu. Szczyt aktywności Vehmgerichte przypadał na XIV i XV wiek

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. Sądy te zostały ostatecznie zakazane przez króla Westfalii Hieronima Bonaparte w 1811 roku.

Sousse

Sousse i Tunesien er landets 3. største by med omkring 250.000 indbyggere.

Sousse ligger ud til Middelhavet. Det er en havneby og badeby med mange turister.

Sousse er en gammel by, grundlagt ca. 800 f.kr. af fønikerne. Byen hed da Hadrumetum, og det navn beholdt byen under romernes indtog og erobring af Karthago og Nordafrika.

Da det Byzantinske Rige kom til magten i 400-tallet, skiftede byen navn til Justiniapolis. Araberne ødelagde byen i 700-tallet, men den blev genopbygget 100 år senere, fra den tid stammer Ribat-fæstningen, Kasbah-fæstningen med bymuseet samt bymuren, der omkranser den arabiske bydel, medinaen.

Medinaen den gamle bydel, er i dag med på Unesco´s Verdensarvsliste.

Den store Moské er et andet af byens historiske levn, som en del af Ribat-fæstningen fra 800-tallet.

Rejser man til Sousse med fly, lander man i Tunesiens nyeste lufthavn Enfidha Airport Lufthavnen ligger ca. 45 km nord for Sousse tæt på jernbanen Tunis-Sousse.

I 1956 blev Tunesien selvstændig efter Frankrigs besættelse

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. Landets første præsident blev Habib Bourguiba. Han, indså at turisme var en del af Tunesiens fremtid. Omkring Sousse blev der bygget mange hoteller for arabiske oliepenge wholesale sock outlet. Ejerskab/Lederskab af disse hoteller tilfaldt Bourguibas hjælpere. Det medførte imidlertid at PLO med Yasser Arafat i spidsen slog sig ned i Tunesien tæt på Tunis by efter princippet noget for noget. 1985 blev PLO´s hovedkvarter bombet af det israelske luftvåben.

I Sousse findes Kasbah-Museet, hvor der er mange romerske mosaikker.

Koordinater:

Néstor Pitana

Néstor Pitana (født 17. juni 1975 i Misiones) er en argentinsk fotballdommer. Han dømte under CONMEBOL-kvalifiseringen til VM i Brasil, og skal også dømme under selve VM.

Ravsjan Irmatov · Yuichi Nishimura · Nawaf Shukralla · Ben Williams

Noumandiez Doué · Bakary Gassama · Djamel Haimoudi

Joel Aguilar&nbsp black and pink football socks;· Mark Geiger · Marco Antonio Rodríguez

Enrique Osses&nbsp

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;· Néstor Pitana · Wilmar Roldán · Sandro Ricci · Carlos Vera

Peter O’Leary

Felix Brych&nbsp water bottle with handle;· Cüneyt Çakır · Jonas Eriksson · Björn Kuipers · Milorad Mažić · Pedro Proença · Nicola Rizzoli · Carlos Velasco Carballo · Howard Webb

Carl Jerrold Peterson

Carl Jerrold Peterson (31 October 1936 – 2 April 1969) was a United States Navy Lieutenant Commander and the commanding officer of Patrol River Boat Squadron 57. He was killed in action in Vietnam and buried in Arlington National Cemetery. In 1975, the United States Navy honored his memory and service by naming USS Peterson (DD-969), a $120 million ($528 million today) destroyer, in his memory.

Carl Jerrold Peterson was born 31 October 1936 to Captain Carl A. Peterson, USN, Ret. (1908 – 1996) of Tuxedo Park, New York and Miriam C. Redden-Peterson (1909 – 2010), daughter of Connecticut State senator William A. Redden. He received a Bachelor of Science degree from the United States Naval Academy and was commissioned an Ensign in June 1958. According to his Academy Yearbook and the Bridgeport Post, he was from Bridgeport, Connecticut and lived at 388 Midland for much of his youth. He was said to “play a mean attack on the lacrosse field” and he was a valuable member of the crew of the USNA’s yacht, Freedom.

Lieutenant Commander Peterson then served successive tours at sea in USS McCaffery (DD-860) and USS Arneb (AKA-56). In 1962, he was assigned to the office of the Chief of Naval Operations, and in 1964 to the staff of Commander Middle East Force. From 1966 to 1968 Lieutenant Commander Peterson served with distinction as Operations Officer aboard USS Ogden (LPD-5) and participated in eight major amphibious assaults against enemy forces in Vietnam. Lieutenant Commander Peterson was credited with developing the command and control techniques for debarking troops simultaneously by air and sea amphibious transports successfully employed in these assaults.

In December 1968, Lieutenant Commander Peterson volunteered for duties in Vietnam and subsequently commanded Patrol River Boat Squadron 57 operating in the waterways of the Mekong Delta. According to the US Navy, Carl Peterson was singularly responsible for the success of many joint quick reaction operations designed to draw out and destroy enemy forces. On 2 April 1969

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, while embarked in an assault support patrol boat transiting the Vàm Cỏ Đông River to his command center in USS Harnett County (LST-821), Lieutenant Commander Peterson was mortally wounded when an enemy rocket detonated against his vessel.

He was buried at Arlington National Cemetery along with his father in 1996 and mother in 2010.

His awards include the Navy Commendation Medal with Combat Distinguishing Device and Bronze Star Medal with Combat Distinguishing Device (awarded posthumously). USS Peterson (DD-969) was named in his honor. His name is listed on the Vietnam Veterans Memorial Panel 27W, Row 1.

Galindo III d’Aragona

Galindo Aznárez, Galindo anche in spagnolo

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, in aragonese, in galiziano e in portoghese, Galí in catalano (nella seconda la metà del IX secolo – 923), , conte d’Aragona (893 – 923).

Figlio di Aznar II Galíndez, conte d’Aragona e di Oneca di Pamplona, figlia di Garcia I Iñiguez, re di Pamplona e della sua prima moglie

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, Urraca Jiménez, nobile aragonese.

Secondo il codice di Roda, Galindo, negli ultimi anni del IX secolo, sposò Arcibella di Guascogna, figlia di Garcia I di Guascogna e di Aimena di Perigord.

Alla morte del padre, nell’893, gli subentrò nel titolo di conte di Aragona, e allontanandosi dalla stretta alleanza con la famiglia Arista che regnava su Pamplona

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, perseguì una politica di completa indipendenza dalla famiglia dei Banu Qasi, che dominavano la regione.

Nel 905

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, appoggio il cambio di dinastia nel vicino regno di Pamplona (dalla dinastia Arista a quella Jimena) perché più in sintonia con la politica della contea di Aragona, attuata da Galindo III.

Secondo il codice di Roda, probabilmente, in quello stesso anno, si risposò, in seconde nozze, con Sancha Garcés di Pamplona, figlia del coregnante e coreggente di Navarra Garcia II di Navarra.

Morì, nel 922, lasciando il titolo di contessa di Aragona alla figlia Andregoto Galindez, che sposandosi, nel 925, col re di Navarra Garcia I, unì la contea al regno di Navarra.
Per oltre cento anni, la contea d’Aragona resterà unita al regno di Navarra.

Galindo e Arcibella ebbero tre figli:

Anche Galindo e Sancha ebbero tre figli:

Galindo ebbe anche cinque figli illegittimi da diverse amanti.

Seattle International Film Festival

The Seattle International Film Festival (SIFF), held annually in Seattle, Washington since 1976, is among the top film festivals in North America. Audiences have grown steadily; the 2006 festival had 160,000 attendees. The SIFF runs for more than three weeks (24 days), in May/June, and features a diverse assortment of predominantly independent and foreign films, and a strong contingent of documentaries.

SIFF 2006 included more than 300 films and was the first SIFF to include a venue in neighboring Bellevue, Washington, after an ill-fated early attempt. However

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, in 2008, the festival was back to being entirely in Seattle, and had a slight decrease in the number of feature films. The 2010 festival featured over 400 films, shown primarily in downtown Seattle and its nearby neighborhoods, and in Renton, Kirkland, and Juanita Beach Park.

The festival began in 1976 at a then-independent cinema, the Moore Egyptian Theater. The first five festivals were held at The Moore Egyptian, now back under its earlier name the Moore Theater and functioning as a concert venue. When founders Dan Ireland and Darryl Macdonald of the Moore Egyptian lost their lease, they founded the Egyptian theater in a former Masonic Temple on Seattle’s Capitol Hill. The Egyptian theater remains a prime festival venue to this day, although the festival now typically uses about half a dozen cinemas (including, since 2007, its own SIFF Cinema at Seattle Center), with the exact roster varying from year to year.

During the 1980s, SIFF audiences developed a reputation for appreciating films that did not fit standard industry niches, such as Richard Rush’s multi-layered The Stunt Man (1980).[citation needed] SIFF was instrumental in the entry of Dutch films into the United States market, including the first major American debut for director Paul Verhoeven.

The festival includes a component that is unique among major film festivals: a four-film “Secret Festival”. Those who attend the Secret Festival do not know in advance what they will see, and they must sign an oath that they will not reveal afterwards what they have seen.

In general, SIFF has a reputation as an “audience festival” rather than an “industry festival”. The festival often partially overlaps the Cannes Film Festival, which can reduce attendance by industry bigwigs; in 2007 there were two days of overlap, May 24 and 25.

The SIFF group also curates the Global Lens film series, the Screenwriters Salon, and Futurewave (K-12 programming and youth outreach), coordinates SIFF-A-Go-Go travel programs (organized tours to other film festivals), and co-curates the 1 Reel Film Feastival at Bumbershoot and the Sci-Fi Shorts Film Festival at the Science Fiction Museum and Hall of Fame.

In 2006, Longhouse Media launched the SuperFly Filmmaking Experience, in partnership with the Seattle International Film Festival, which brings youth together from diverse backgrounds to work collaboratively on film projects that promote awareness of indigenous issues and mutual understanding of each other’s cultures. Fifty youth from across the United States arrive in Seattle to then travel to a local Pacific Northwest reservation to create 4 films in 36 hours.

November 28, 2006, SIFF and Seattle mayor Greg Nickels announced that SIFF would soon have a home and a year-round screening facility in what has been the Nesholm Family Lecture Hall of McCaw Hall, the same building at Seattle Center that houses the Seattle Opera. The city contributed $150,000 to the $350,000 project. This auditorium was a “flagship venue” for SIFF festivals and the site of most press screenings.

Shortly after the 2011 festival, SIFF moved its operations to the SIFF Film Center on the Seattle Center campus. The Film Center includes a 90-seat multi-use theater, multi-media classroom, exhibition spaces

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, archives, and offices for SIFF and the Film School. In October 2011, SIFF Cinema moved from McCaw Hall to its current location in the Uptown Theater. SIFF utilizes all three of the Uptown’s three screens for year round programming. SIFF currently has year round programming for four screens in Seattle.

In May 2014 it was announced that SIFF had purchased the Uptown Theater, and would be leasing and renovating the Egyptian Theater (abandoned roughly a year earlier by Landmark Theatres) from Seattle Central College.

Since 1985, the Seattle International Film Festival has awarded the Golden Space Needle award each year to the festival’s most popular movie. Ballots are cast by audience members at the end of each movie. Previous winners of the Golden Space Needle include Whale Rider for 2003, Trainspotting for 1996, Kiss of the Spider Woman for 1985 and Boyhood for 2015, the latter two being the only films to be nominated for the Academy Award for Best Picture and win the Golden Space Needle.

Among the films that have received North American or world premieres at SIFF are:

Liam (dir. Stephen Frears, UK)
Tortilla Soup (dir. Maria Ripoll, USA)
Ghost World (dir. Terry Zwigoff, USA)

Caeser (dir. Uli Edel, USA)
PTU (dir. Johnnie To, Hong Kong)
Together (2002 film) (dir. Chen Kaige, South Korea)
Whale Rider (dir. Niki Caro, New Zealand)

Donnie Darko: The Director’s Cut (dir

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. Richard Kelly, USA)
Before Sunset (dir. Richard Linklater, USA)
Criminal (dir. Gregory Jacobs, USA)

Red Dust (dir. Tom Hooper

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, UK)
Bombón, el Perro (dir. Carlos Sorín, Argentina)
Côte d’Azur (dir. Olivier Ducastel and Jacques Martineau, France)

Perhaps Love (dir. Peter Ho-Sun Chan, Hong Kong)
A Prairie Home Companion (dir. Robert Altman, USA)
Strangers with Candy (dir. Paul Dinello, USA)

A Battle of Wits, (dir. Jacob Cheung, Hong Kong)
The Boss of It All, (dir. Lars von Trier, Denmark)
Evening, (dir. Lajos Koltai, USA)

Nele Alder-Baerens

Nele Alder-Baerens (* 1. April 1978 in Berlin) ist eine deutsche Mittel- und Langstreckenläuferin.

Nele Alder-Baerens gehörte von 1998 bis 2006 der deutschen Gehörlosen-Nationalmannschaft an, für die sie unter anderem 2001 in Rom bei den XIX. Sommer-Deaflympics im 800-Meter-Lauf Silber, 2005 in Melbourne bei den XX

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. Sommer-Deaflympics Gold im 5000-Meter-Lauf und Bronze im 10.000-Meter-Lauf gewann. In dieser Zeit stellte sie auch Europa- und Weltrekorde über 2000 m und 5000 m auf.

Bei ihrem Marathon-Debüt beim Berlin-Marathon 2013 stellte Nele Alder-Baerens mit einer Zeit von 02:46:07 h einen neuen Gehörlosen-Weltrekord im Marathonlauf auf. Seit 2014 startet sie für den Ultra Sport Club Marburg, für den sie dreimal hintereinander von 2014 bis 2016 die Deutschen Meisterschaften im 50-km-Straßenlauf gewinnen konnte, sowie 2016 die Deutschen Meisterschaften im 6-Stunden-Lauf mit neuem deutschen Rekord und Weltrekord in der Altersklasse W35.

Nele Alder-Baerens ist durch eine frühzeitige Geburt extrem kurzsichtig mit zwölf Dioptrien und seit ihrem 13. Lebensjahr vollständig taub

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. Seit ihrem 17. Lebensjahr benutzt sie ein Cochlea-Implantat Yellow Women Dresses, schaltet dies allerdings beim Laufen aus, da dort die Geräuschkulisse zu hoch wäre. Ihr wurde zweimal das Silberne Lorbeerblatt verliehen.

Die promovierte Biophysikerin arbeitet am sweater shaver. Dort untersucht sie Proben von Patienten mit vermutetem Adrenogenitalem Syndrom.

Gérard de Balorre

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Gérard de Balorre, né le à Paris et mort le à Paris, est un officier cavalier français.

Gérard de Balorre s’engage à 18 ans, le 28 janvier 1918 au 1er régiment de Cuirassiers. En 1922, il est choisi sur concours pour suivre à Saumur un stage d’élève officier d’active à l’issue duquel il est nommé sous lieutenant.

Après un passage dans un régiment qui participe à l’occupation de la Rhénanie Allemande il est désigné pour servir en Syrie. Son séjour y dure 2 ans. Il y est décoré de la croix de guerre des Théâtres d’Opérations Extérieures avec citation à l’ordre de la division. Revenu en Europe, il sert au 6e cuirassiers.

En 1933, Le Lieutenant de Balorre est muté à Saumur où il sert comme instructeur d’équitation à l’École de Cavalerie avant d’être admis comme écuyer au cadre noir puis d’être sélectionné dans l’équipe française de dressage qui gagne aux Jeux olympiques de 1936 à Berlin

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, la médaille d’argent.

À l’entrée dans le conflit de la Seconde Guerre mondiale, il est affecté au 13e Groupe de Reconnaissance de Corps d’armée (unités légères chargées de renseigner en avant du gros des forces, après prise de contact avec l’ennemi elles devaient le ralentir afin de permettre l’arrivée de formations plus puissantes). À la suite des combats, il obtient une citation à l’ordre du corps d’armée.

Fait prisonnier, il rentrera de captivité en septembre 1941 où il est affecté à Tarbes où a été repliée l’École de Cavalerie et le Cadre Noir. En 1942, après l’invasion de la zone libre, l’armée française d’armistice est dissoute et avec elle l’École de Cavalerie.

En mars 1943, Gérard de Balorre est affecté à la nouvelle École Nationale d’Equitation à Fontainebleau où il prend la fonction d’écuyer en chef du Cadre Noir.

Le cadre noir y a en effet été reconstitué sous couverture officielle du secrétariat à l’éducation nationale et s’est installé dans le quartier du Carousel. Elle a pour mission de former des instructeurs d’équitation à partir de cavaliers confirmés et préparer chevaux et cavaliers pour les compétitions internationales. Un certain nombre de jeunes bellifontains eurent la chance de pouvoir bénéficier de séances d’équitation prodigués par des écuyers du cadre noir. Le Père Jacques de Jésus immortalisé dans le film Au revoir les enfants (Louis Malle, 1997) entretenait des relations d’amitiés avec le commandant de Balorre et vint pratiquer l’équitation au sein du quartier du Carrousel avec ses collégiens.

Un ensemble de chevaux dressés et de cavaliers instruits traverse ainsi l’Occupation et permet de renouer dès la Libération avec des performances remarquées en compétitions notamment aux JO de Londres en 1948. Le commandant de Balorre et ses hommes auront ainsi participé à la sauvegarde de la haute École d’Equitation française pendant cette période troublée en préservant les chevaux de sports français des réquisitions allemandes et en dressant des futurs champions.

Le commandant de Balorre était dans la ligne de ses prédécesseurs qui avaient habitué leurs écuyers à d’éloquents silences ou à des formules condensées.

Voyant l’un d’eux donner à son cheval un pli exagéré dans un appuyer, ne lui avait-il pas dit : «  Il faut surtout se servir de la rêne qu’on n’utilise pas » ?

Et à un autre qui se battait avec sa monture : « Je ne vous comprend pas, le cheval d’un écuyer va toujours bien ».

En d’autres termes, le cheval d’un « écuyer » ayant été préparé méthodiquement à toute demande nouvelle, ne se défend pas ; s’il en est ainsi, il ne s’agit pas du cheval d’un « écuyer » mais de celui d’un simple cavalier

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.