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Ludovic Lamothe

Ludovic Lamothe (12 May 1882 – 4 April 1953) was a Haitian composer and virtuoso pianist. He is considered one of Haiti’s most important classical composers.

A native of Port-au-Prince, he was born into a distinguished literary family, and both his parents were pianists. His grandfather, Joseph Lamothe, was also a noted instrumentalist. Lamothe had his first lessons from his mother and studied the piano and clarinet at the Institution Saint Louis de Gonzague in his native Port-au-Prince where he exhibited exceptional technical and compositional abilities from a young age. In 1910, German merchants in Haiti recognised his talents and funded a scholarship for him to go and continue his studies in Paris, France. There he would study under Louis Diemer at the Paris Conservatory.

Lamothe returned to Haiti in 1911, remaining there for the rest of his life; he taught and gave private recitals on the piano in his home. He gained a reputation for reciting the works of Frédéric Chopin, his favourite composer, and he became known as the “Black Chopin”, particularly amongst music scholars and middle-upper class men in Haiti. On one instance Lamothe was invited to perform an event at the Rex Theatre named “Un Chopin Noir” (A Black Chopin) to commemorate the anniversary of the death of Frédéric Chopin. Lamothe recited, among others, Chopin’s Polonaise in A Flat.

As a composer, Lamothe wrote expressionly for his own instrument, and became known especially for his songs and short piano pieces. Lamothe’s repertoire included a range of méringue, from the most formal, elite-oriented forms to the méringue of the low orders. He was not only influenced by traditional European classical music, but he was influenced by local traditions including Haitian Vodou ceremonial music and carnivals and Haitian peasant culture and influences which reflected a shared African heritage. One scholar has described Lamothe’s repertoire as “predominantly classical in form, but creole in inspiration. Another musical scholar, Claude Carré of the online magazine Boutoures has described Lamothe as “representing the nationalist movement in Haitian classical music” and being “an emblematic figure, a piano virtuoso and a performer of Chopin, who left us a number of important compositions for piano.”

His fusion of styles and class influences in his music were regarded by scholars as reducing the polarisation in classes in Haiti in the early to mid-twentieth-century Haiti and giving them a unique shared identity through a musical spectrum waterproof bag for electronics. One of his notable works is entitled, La Dangereuse, a slow tempo piece with gentle, restrained dynamics, was warmly received by the Haitian aristocracy.

In 1934, Lamothe won a Port-au-Prince city council competition for his “Carnival méringue”, which he entitled Nibo. Well received by all walks of society in Haiti, Nibo became known as a Liberation Anthem. a piece to mark the withdrawal of American forces from Haiti in August of that year.

Later in life, Lamothe encountered some serious financial problems, largely due to the fact he had not published many works internationally, only two waist running belt, and even those were limited to Berlin and Paris, so he was not generating enough income to sustain a living. On 9 February 1944, he was forced to sell up his home that he had lived in much of his life, but his continued musical status amongst the elite in Haiti meant that enough money was raised to aid him in buying a new home.

Lamothe later went on to become Chief of Music of the Republic of Haiti. He died in Port-au-Prince in 1953. Although little of his music was published even in his native Haiti during his life, after his death his family collected his manuscripts and had them printed privately. A collection of his pieces was published in Port-au-Prince in 1955, entitled simply, Musique de Ludovic Lamothe.

In 2001, a CD recording of Lamothe was published on the IFA Music Records label, released in 2001 featuring some of his pieces, the Ballade in A Minor, Danza No. 1 (La Habanera), Evocation, and Danse Espagnole No. 4, performed by Latino-Caribbean pianist, Charles P. Phillips.

In 2006, a book entitled Vodou Nation: Haitian Art Music and Cultural Nationalism by the Chicago Studies in Ethnomusicology cited numerous examples of Lamothe’s compositions to illustrate his cultural contribution to Vodou music. They cited in particular, La Dangereuse, Nibo, Sous la Tonnelle, Loco and Sobo.

Jaan Patterson

Jaan Patterson (* 23. Oktober 1975, in Heidelberg best running bum bag, Deutschland) ist ein Komponist id corporation sweater shaver, Poet, sowie Gründer und Betreiber des Netlabels Surrism-Phonoethics. Er ist bekannt für seine vom Dada und Surrealismus beeinflussten Multimedia-Projekte im Bereich experimenteller Musik, Video und des gesprochen Wortes.

Sein Pseudonym Undress Béton ist eine Reverenz an André Breton, dem Mitbegründer der Bewegung um den Surrealismus waterproof bag for electronics. Des Weiteren arbeitet Patterson zusammen mit Frater Surrallee an improvisierten Musikprojekten mit dem Namen Surrism

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. Pattersons Musik wurde von vielen freien nichtkommerziellen Rundfunksender und Internet-Radios gespielt, sowie Resonance 104.4 FM, WFMU, NTNS Radio und L’étranger, Radio Panik. Seit 2009 arbeitet Jaan Patterson als Kurator zusammen mit Anthony Donovan (Murmurists) an dem Netlabel Classwar Karaoke, das quartalsweise erscheint und Werke von experimentellen Film- und Soundkünstlern aus aller Welt veröffentlicht. Kollaborationen gab es mit Anthony Donovan & Classwar Karaoke, AG Davis, Kommissar Hjuler, Hopek Quirin, Alessandra Celletti, William Davison (Recordism), Jochen Arbeit (Einstürzende Neubauten) & Vania Rovisco, Jeremy Gluck (The Barracudas), John M. Bennett, Lee Kwo & PostVerbal, Bryan Lewis Saunders, Carmen Racovitza, J. Karl Bogartte, Leif Elggren, Dada AG, Yoshihiro Kikuchi, John Hyatt (The Three Johns) und Kosta T.

Convention des Verrières

La Convention des Verrières fut signée, le 1er février 1871 aux Verrières, par le général Herzog, commandant en chef de l’armée suisse et le général Clinchant commandant la 1re armée française (armée du général Bourbaki) à la suite de la défaite de la Guerre franco-prussienne de 1870. La convention prévoit l’internement en Suisse des troupes françaises (87 000 hommes) alors encerclées par l’armée allemande.

Une armée de l’Est a été constituée dans le but de libérer Belfort. Le général Bourbaki est à son commandement, mais l’armée progresse lentement et von Werder organise une ligne de défense efficace qui lui permet de concentrer ses troupes au point où les Français font signe de lancer leur attaque principale. Cette attaque a lieu le 16 janvier, après une journée de préparation d’artillerie. L’armée de l’Est parvient à durement affaiblir ses ennemis et à les faire reculer à proximité de Belfort. Mais, à l’image de ce qui s’est passé à Mars-la-Tour six mois plus tôt, Bourbaki, surestimant l’adversaire et sous-estimant ses forces callus shaver, donne l’ordre de revenir sur les positions initiales, refusant de poursuivre l’avantage. Le 17, ses troupes repoussent victorieusement une attaque surprise d’un régiment badois smartek fabric shaver, mais restent encore sur place, puis le 18, Bourbaki ordonne la retraite.

La retraite de Bourbaki vers Besançon fut coupée par d’autres forces allemandes dirigées par Manteuffel, et il fut contraint de replier son armée vers la frontière suisse. Ses troupes étaient dans une situation déplorable, et manquaient de nourriture. Des 150 000 hommes avec qui il était parti, il n’en restait plus que 87 847 dont 2467 officiers.

Le 26 janvier 1871, il délégua ses fonctions au général Clinchant et dans la nuit se tira une balle dans la tête. Mais la balle ricocha contre son crâne et, bien que grièvement blessé, il fut sauvé. Clinchant signa la Convention des Verrières et ce fut alors le passage en Suisse où, l’Armée de l’Est fut désarmée puis internée dans les divers cantons de la Confédération bag cover waterproof, avec l’aide logistique du Comité international de secours aux militaires blessés, future Croix-Rouge waterproof bag for electronics, et le soutien de la population civile suisse.

Un panorama restituant le passage de cette armée en Suisse, peint par Édouard Castres en 1881, est visible au panorama circulaire Bourbaki à Lucerne.

Entre Monsieur le général Herzog, général en chef de l’armée de la Confédération suisse, et Monsieur le général de division Clinchant, général en chef de la 1re armée française, il a été fait les conventions suivantes: